5 broken cameras.
(eVideo)
Winner at the Sundance Film Festival, 5 broken cameras is a deeply personal, first-hand account of non-violent resistance in Bil'in, a West Bank village threatened by encroaching Israeli settlements. Shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son, the footage was later given to Israeli co-director Guy Davidi to edit. Structured around the violent destruction of each one of Burnat's cameras, the filmmakers' collaboration follows one family's evolution over five years of village turmoil. Burnat watches from behind the lens as olive trees are bulldozed, protests intensify, and lives are lost. "I feel like the camera protects me," he says, "but it's an illusion."
Notes
Burnat, E., & Davidi, G. (2014). 5 broken cameras. [San Francisco, California, USA], Kanopy Streaming.
Chicago / Turabian - Author Date Citation (style guide)Burnat, Emad and Guy Davidi. 2014. 5 Broken Cameras. [San Francisco, California, USA], Kanopy Streaming.
Chicago / Turabian - Humanities Citation (style guide)Burnat, Emad and Guy Davidi, 5 Broken Cameras. [San Francisco, California, USA], Kanopy Streaming, 2014.
MLA Citation (style guide)Burnat, Emad, and Guy Davidi. 5 Broken Cameras. [San Francisco, California, USA], Kanopy Streaming, 2014.
Record Information
Last File Modification Time | Jan 10, 2024 10:33:30 AM |
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Last Grouped Work Modification Time | Apr 10, 2024 12:00:56 PM |
MARC Record
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520 | |a Winner at the Sundance Film Festival, 5 broken cameras is a deeply personal, first-hand account of non-violent resistance in Bil'in, a West Bank village threatened by encroaching Israeli settlements. Shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son, the footage was later given to Israeli co-director Guy Davidi to edit. Structured around the violent destruction of each one of Burnat's cameras, the filmmakers' collaboration follows one family's evolution over five years of village turmoil. Burnat watches from behind the lens as olive trees are bulldozed, protests intensify, and lives are lost. "I feel like the camera protects me," he says, "but it's an illusion." | ||
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